Window

TWO William Burges windows that surfaced at auction in Salisbury last year have been sold back to the house for which they were originally made.

Stained glass windows are not common fare in sales of English literature but the 2ft 8in (81cm) wide panel seen at Sotheby’s on July 12 merited inclusion on account of both its designer and its subject matter.

THE fortifying glass of fruit punch offered by the Wadebridge auctioneers Lambrays (15% buyer’s premium) to buyers before the start of their traditional Cornish New Year’s Eve sale may not have fuelled much interest in the mid- to low-range quality furniture – around two-thirds of which failed to sell – but it whetted one private buyer’s appetite for the large shaped stained glass window, right.

Stained glass, such a pre-occupation of the Victorians from the Pre-Raphaelites to the Aesthetics and the Arts and Crafts movement, has been something of a Cinderella among collectors for the best part of a century. Now, while the lovely and neglected Cinders may not exactly be the belle of the ball, interest in, and prices for, the medium are creeping up.

The demand for the best of Louis Comfort Tiffany’s studio glass continued apace at Christie’s (17.5/10% buyer’s premium) 86-lot Important 20th century Decorative Arts including Works by Tiffany Studios, June 7.

A classic entry in Christie's South Kensington's Classic Arts and Crafts sale on May 2 provided one of the day’s top results – £6800 for this pair of 2ft x 12in (61 x 31cm) c.1900 stained glass panels decorated with mediaeval landscapes and a text inscription.